Drive Angry director explains why Satan's right-hand man is an accountant
Ever since we saw the gunfight sex scene from Nic Cage's bat-out-of-hell-screwing-shooting-vengeance flick Drive Angry, we've wanted to know more. Now the director Patrick Lussier is cracking open Nic Cage's own personal Hell for us. And chatting about the Hellraiser-reboot.
Nic Cage's character seems to fit into that "You're not supposed to like him, but you'll end up loving him" type. What else do we know about the character Milton?
Patrick Lussier: When Todd Farmer and I came up with the concept we wanted to write a story about a guy who was an absolute bad-ass. A character who, in many other stories, could have been the villain. But we wanted to write it as a story of redemption of a guy who's done a lot of bad things in his life, but has now has a chance to do something right. And not to save the world, but for incredibly personal reasons. He has ****ed up a lot, and this was his chance to make things right. His chance to do one last heroic thing. That, to us, was really appealing. Nic was the first actor we went to, he said the script was the craziest thing he'd ever read, and he brought him to life beautifully. Milton is a guy who can kill to people in the opening with absolute relentless ruthlessness, but at the same time he's the guy you root for.
I read that Nic was a big part of developing his character and that he worked hard on developing him with you, so what did Nic add to Milton, what did he change?
He added a few character nuances about Milton. The look of the character was all over the place when we were starting. Nic had several ideas that went different directions. Ultimately we all sort of found him together. Milton's whole look in the film came in at the very last minute, we tried so many different things. At one point he as modeled sort of after the look of Roy Scheider in Seven-Ups, and that didn't really work. Then we had this alligator skin jacket thing which was a little reminiscent of Wild At Heart (even though that was a snake skin jacket) but that didn't work. At the last minute we found this black jean jacket and t-shirt, just really simple, and that became him. This guy who has this incredibly simple directive.
Very specific things pop into my mind with Nic Cage and "nuances." Like the way he talks like Adam West when he's in Big Daddy costume in Kick Ass, the scream in Bad Lieutenant. What little tics should we be looking for with Milton in Drive Angry?
In part of the film he has this angry twitch, but it's very minor and you have to really look for it. As the character evolves through the course of the story, that begins to fade. Mostly what he has is a knowing. This is sort of something that Nic came up with, he's a guy who has been to the other side and knows way more than anybody else would. It was in the writing, but he really clasped hold of it and brought it to life…. there are a few other things but you'll have to see it.
How much do we deal with Hell in this film? Milton is actually in Hell and then comes back so do we see him in hell, what's hell like for Milton?
When we wrote it that [Hell] was more of a reveal. But now it's laid out very early in the film, probably in frame one. So yes, that's where he's from [Hell] . Not directly, I think he's originally from Chicago. He breaks out of his punishment to set something right. And he's pursued by somebody who tells him that he's got to come back, "you don't get to leave." That relationship between those two guys is sort of key to the supernatural element. You have someone who is relentless, unstoppable, wicked and darkly funny. But funny because they knew they would succeed and they have this overconfidence. It creates this constant press on the hero and that as vicious and relentless as Milton was, there was someone who was more so. And as hard as Milton is pursuing this cult and Billy Burke's character Jonah King [the leader of the cult], there's someone chasing him as well.
Ok so you're talking about The Accountant right? Why call him The Accountant, how did you come up with that?
Yes. We imagine Hell as probably as very well done. With all our experiences with bureaucracy we thought that, yeah [The Accountant] would sort of make sense. Bureaucracy can be really vicious and of course we need somebody who would have that attention to detail. Who made sure the checks and balances were met and that every single column lined up. And if it was that person that came after you, you would be majorly ****ed. We talked about how you'd already seen the hunter from hell and we thought nah, it's a guy in a suit. It's a guy who looks like a lawyer, but isn't. It's a guy who looks at numbers and is indifferent to your plight. You can't negotiate with him because to him it's just about making sure everything adds up. If you're against the books, then he will make sure to correct it. We just thought it would be fun to have that, to make The Accountant the coolest character on the planet, and then call him the Accountant. Bill Fichtner he loves that part. Because it's the guy who does everything everybody wants to do, and gets away with it. So yes, he was a blast to write!
Do we get to see Milton get punished in hell, and what is his punishment?
That's a complicated question. You have to see the film to understand what Hell is in this mythology and the nature of how you're punished. One could easily say yes or no. You have to see Hell to see what I mean by that. You do see the nature of his punishment, yes. Do you see him actually getting punished? Perhaps not.
I've seen the Gunfight sex scene, how do you top that scene?
You certainly haven't seen all of it. That scene is maybe three times as long. Oh god, yeah there's more.
This is a very cool interview Lady Trueheart, great find! It is interesting to hear from the directors I find, and it is always a treat to hear more about how Nic developed the character...My interest is further stimulated by this idea of Nic having 'a knowing' and their interpretation of Hell and it having a bureacracy...love that!
And of course there is more to that gunfight scene...wonder what happens after tht very coolsmoothing back his hair moment!
Also loving the possile wink to Wild At Heart's Sailor with the jacket, but I am glad they didn't go for it in the end...as I said in this thread, perhaps MIlton is going to be a couple of shades darker than Sailor and I like Sailor's legacy as it is!